![]() I decided to save that card for later and move onto others to keep things moving. I tried restarting my computer and that didn’t work. I tried restarting FCP 7 and that didn’t work. The card showed up on the desktop and had MTS files on it. In the middle of capturing footage from the third SD card, FCP wouldn’t recognize the card. I setup the bins so transcoded footage would be placed in the right one automatically, rather than dragging everything in manually. There was a bin for each game of the tournament. To keep things organized, I had created bins before I started log and transfer. Everything started off working just fine. #CLIPWRAP NO AUDIO AVCHD PRO#Using FCP 7’s log and transfer option, I began transcoding the footage into Pro Res. Transcoding problems and how ClipWrap saved the day ![]() The issues involved dealing with transcoding 300 GB of AVCHD media, project management, multi-cam editing and client relations. What I didn’t expect was the tidal wave of frustration I was in for.įor the sake of this article, I will focus on the issues that made it difficult to produce the first rough-cut of the overall tournament. Once I picked up the SD cards, I had a road map of how I would approach the project to make the best use of time. He believed that the way I edit was well suited for this particular project, in spite of its length. I was given this project by my production director because of prior work I did. My approach to the edit and the issues I encountered To say the least, I was eager to take on a project of this magnitude, even though I was much more used to doing shorter projects with a faster turn-around. Output to DVD with a custom menu and chapter links which would be sold to the general public. Sync footage from 3 different cameras together with audio that came from a radio broadcast of the game, which had all commercial breaks recorded to it.Ĭreate custom motion graphics for the overall tournament which included a custom intro/outro, transitions and 65 lower thirds for all the players, sponsors, staff and more. ![]() Transcode 10 SDHC cards of AVCHD media from 3 HMC-150 cameras into Apple Pro Res 422, which would be synced together through a multi-cam edit. ![]() Here’s a breakdown of what I had to do on the post production end: While the project didn’t end the way I had hoped, it did help me become a better editor. Through the experience, I learned a lot about client management, multi-cam editing, and media management when there is a large volume of material. I edited this project a little over a year ago in Final Cut Pro 7. The project covered everything from the pre-game to the awards ceremony. I learned this when I took on a project to edit a 2-hour high school volleyball tournament. There is nothing that changes how you approach editing like being asked to work on a really long project that requires great attention to detail. ![]()
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